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EMPEROR Guitarist's Ex-Wife Among Five People Killed In Norway Bow-And-Arrow Attack
Andréa Meyer, the German recording artist, writer, actress and model who released several albums under the Nebelhexë moniker, is one of five people who were killed in a bow-and-arrow attack in a quiet Norwegian town earlier this week. She was 52 years old. Espen Andersen Braathen, a 37-year-old Danish citizen, was arrested Wednesday night (October 13), after he began his deadly rampage targeting random people at a supermarket and other locations in Kongsberg, where he lived. Brathen, a Muslim convert, has been detained in a medical facility pending psychiatric evaluation. Police inspector Per Thomas Omholt described Brathen as "'not very social" and told the media that "all the indications are that he chose his victims at random" and acted alone. Although Brathen allegedly posted a video to social media in 2017 in which he issued a "warning" and declared his Muslim faith, Omholt told reporters that "the thinking is that he did not take [the conversion] very seriously. By this we mean that he did not follow or practice the traditions that are common in this culture and religion," the inspector said. Last year, a court reportedly granted a restraining order for Braathen to stay away from his parents for six months after he threatened to kill one of them. He is also said to have a conviction for burglary and drug possession. Meyer, who also lived in Kongsberg, was previously married to EMPEROR guitarist Tomas "Samoth" Haugen, with whom she shared a daughter, Alva. Under the Nebelhexë banner, Andréa released three albums: "Laguz - Within The Lake", "Essensual" and "Dead Waters". She was also a writer of thought-provoking articles about the darker aspects of human nature, animalistic instincts and other esoteric/taboo subjects which became quite popular in the alternative and metal music scenes. In addition, she wrote a book about the understanding of northern myths, traditions and goddess worship. She had a column in a Norwegian gothic magazine called "Seriously - The Things That Irritate Nebelhexë". Originally looking at a model career in London, Andréa soon quit that "shallow scene" in search of dares, pure life and the human spirit. Always shocked by human ignorance and apathy, and always spiritual, mystical and with a deep connection to animals, she found her kindred spirits in diverse magical and esoteric circles and soon after enchanted and impressed the elite of the "left hand path". Exploring her fascination for the "dark and animalistic" a wee bit further, she got involved with Anton La Vey's church, became a fetish model and a known act with notorious artistic performances (such as CRADLE OF FILTH shows). Andréa started to express herself through music, and under the name of Nebelhexë, she initially made an impact with the obscure, ghostly dark ambient music project AGHAST, which was released in 1994. Then she took a big detour and explored pagan folk music elements with HAGALAZ' RUNEDANCE before she "came back to herself again." Andréa also made guest appearances on CRADLE OF FILTH's "The Principle Of Evil Made Flesh" and SATYRICON's "Nemesis Divina" albums. Former MORBID ANGEL frontman David Vincent was among the fellow musicians who paid tribute to Meyer in the wake of her passing. He wrote on social media: "Sad to learn that my friend was amongst those senselessly murdered in Norway terror attack. She was a beautiful, creative artist and she will be missed dearly. Goodbye for now Andrea". CRADLE OF FILTH wrote: "R.I.P. Andrea Meyer. "Andrea guested on our debut album 'The Principle Of Evil Made Flesh' and also modelled and danced for us onstage as well as presiding over ritual back in our formative years. "She will be sadly missed and our deep felt love and sympathies go out to her kith and kin."
Sad to learn that my friend was amongst those senselessly murdered in Norway terror attack. She was a beautiful, creative artist and she will be missed dearly. Goodbye for now Andrea Posted by Official David Vincent on Saturday, October 16, 2021
Andrea Meyer. You created pagan inspired music, 15 years before everyone else thought it was cool. Rest in peace, old friend ?. Posted by Mortiis on Saturday, October 16, 2021
GARY HOLT 'Highly Doubts' SLAYER Will Ever Return: 'To My Knowledge, It'll Never Happen Again'
Gary Holt says that he "highly doubts" there will ever be a SLAYER reunion. The EXODUS leader, who spent almost nine years touring with SLAYER, discussed the possibility of the latter band coming back while being interviewed by Australia's "Scars And Guitars" podcast. Asked what the most enjoyable part was of being part of SLAYER's final tour, Holt said (as transcribed by BLABBERMOUTH.NET): "Just the amount of people that came out to see it, especially the amount of people who flew in for the final two shows was epic. And it was emotional. Tears were shed while playing 'Angel Of Death', and who would have ever thought that would happen? Who plays 'Angel Of Death' [while] trying to keep the tears at bay for the last fucking time? But it was an awesome, awesome, moving thing — an amazing part of my life." As for the possibility of SLAYER ever returning for more live shows, Holt said: "I highly doubt it… To my knowledge, it'll never happen again. To my knowledge, I don't know at the same time. Maybe someday someone just offers so much money that it changes people's minds. But the band went out on a fucking super-high note, on top, and why sully that? I mean, we've already outlasted MÖTLEY CRÜE's retirement. [Laughs] Well, theirs has gone a little longer because of the pandemic, but it took them — what? — a year to decide they'd tour again." Holt began filling in for SLAYER guitarist Jeff Hanneman at live shows in 2011, and became the band's full-time co-guitarist as of 2013, while remaining a member of EXODUS. Holt played on SLAYER's final album, "Repentless", which came out in 2015. Back in March, Holt told Headbangers Con that he would be open to playing with SLAYER again if the band ever decided to come back. "Look, if the powers that be ever — like, in a year or something — said, 'Hey, you know what? We feel like playing some shows,' I'm there to do it," Holt said. "But those aren't decisions for me to make, or even me to really speculate on. As far as my knowledge, the band is over, and the final show was November 30th, 2019. And I'm full speed ahead with EXODUS now." SLAYER guitarist Kerry King made headlines earlier this week when he said that the band retired "too early." While recording a short video message to congratulate MACHINE HEAD on the San Francisco Bay Area act's 30th anniversary, he said: "So, I hear congratulations are in order for my friends in MACHINE HEAD. Apparently, it's 30 years, which is quite an achievement. Not a lot of bands get there. We did, and then we quit too early. Fuck us. Fuck me. I hate fucking not playing." SLAYER played the final show of its farewell tour in November 2019 at the Forum in Los Angeles. One day later, Kerry's wife Ayesha King said that there is "not a chance in hell" that the thrash metal icons will reunite for more live appearances. In August 2020, she once again shot down the possibility of her husband and bassist/vocalist Tom Araya sharing the stage ever again under the SLAYER banner. After Ayesha shared three photos of Kerry holding their cat in slideshow-type Instagram post, a fan wrote: "No Tom, No SLAYER Kerry. Stop thinking SLAYER without @tomarayaofficial". Ayesha then replied: "don't worry, they'll never be SLAYER again! You can rest easy". SLAYER's final world tour began on May 10, 2018 with the band's intention to play as many places as possible, to make it easy for the fans to see one last SLAYER show and say goodbye. By the time the 18-month trek wrapped at the Forum, the band had completed seven tour legs plus a series of one-off major summer festivals, performing more than 140 shows in 30 countries and 40 U.S. states. Last year, SLAYER drummer Paul Bostaph confirmed that he is involved in a brand new project headed up by Kerry. The duo spent much of the last year and a half working on music with the hopes of recording it properly once the coronavirus pandemic has subsided.
Watch More Video Of VAN HALEN's 'Lost' Singer MITCH MALLOY Celebrating EDDIE VAN HALEN's Musical Legacy
Mitch Malloy, who auditioned to replace Sammy Hagar in VAN HALEN in the summer of 1996, celebrated Eddie Van Halen's musical legacy with MITCH MALLOY'S VH EXPERIENCE on October 9 at Mattie Kelly Arts Village in Destin, Florida. Mitch was backed by a band featuring Pete Thorn (Chris Cornell, Don Henley, Melissa Etheridge) on guitar, Daniel Spriewald (Phil X of BON JOVI) on bass, and Wayne Killius (Keith Urban, BIG & RICH, Luke Bryan) on drums. More fan-filmed video footage of the concert can be seen below. Malloy told the story of his day at Eddie Van Halen's 5150 studios to Melodic Rock: "A guy who worked for their management at the time used to be my road manager and he kept calling me and telling me they were going to fire Sammy and that I was going to be the next singer in VAN HALEN. And he was calling and calling and finally I got annoyed by this and told him to stop and that I didn't think I was a good fit in VAN HALEN and that if he was serious, he should have Ed call me. A week later, Desmond Child calls me and says he has just left Ed's house and was writing with them and that they were talking about me and that they were watching my 'Anything At All' video, and that he told them that I was perfect for them, and that they would be lucky to get me. And before I knew it, I was on a plane to L.A. Ed did call, a bunch of times. He was great." According to Malloy, Eddie told him he was in the band on his third day in the studio. But when Eddie, Michael Anthony and Alex Van Halen stepped onstage with their estranged singer David Lee Roth for the first time in 12 years at the 1996 MTV Video Music Awards, Mitch knew that his dream gig had fallen apart. "I'm sitting, watching TV there by myself," Mitch told Rolling Stone. "It wasn't good. I think literally, my jaw dropped. So in that moment, I was shocked. And you know how sometimes as humans we just know some things? You just know it. You don't have to say it. Nobody has to say anything. People just know things. And that moment that Roth walked out behind them, I knew it was over. I am not going to be in VAN HALEN. I just knew somehow. And so that was it for me. I was just like, 'That's it. This can't happen now.' I just knew it. It was just … a wall came down. But it just felt like it was over, somehow. It was like, 'This can't work now.' Not because people won't accept me. But there's just something else going on that I didn't even fully understand at the time. You know what I mean? It was like a knife sliced through and just, it was over. I think it's the only time it's ever happened to me in my life, where it was that definitive. And I had a lot going on at the time, aside from VAN HALEN. Real promise with my career moving forward. So it wasn't, for me, my only thing. I wasn't like, 'Oh, my God! This has got to happen,' kind of thing. Of course, I really did want it to happen. But who wouldn't?" VAN HALEN's next singer ended up being Gary Cherone, former frontman for the band EXTREME. His only album with the group was "Van Halen III", which was a critical and commercial disappointment. Hagar and Roth both rejoined VAN HALEN at various points since 2003, with the latter appearing on VAN HALEN's final album, 2012's "A Different Kind Of Truth". Malloy's involvement with VAN HALEN is the focus of a short documentary, "Mitch Malloy: Van Halen's Lost Boy", which was uploaded to YouTube in 2013. In 2018, Malloy joined GREAT WHITE as the replacement for Terry Ilous. Mitch relocated to Destin, Florida from Nashville, Tennessee in 2019.
CARMINE APPICE On Touring With LED ZEPPELIN: JOHN BONHAM 'Was Playing Like Me' And 'Doing The Twirls Like Me'
In a new interview with Radio Forrest, legendary drummer Carmine Appice was asked what he thinks John Bonham picked up from him in terms of his sound and playing style when VANILLA FUDGE and LED ZEPPELIN played together in the late 1960s. He responded (as transcribed by BLABBERMOUTH.NET): "According to the [John Bonham] book 'A Thunder Of Drums', I was one of his influences. So that means that he picked up a lot of the power that I use. 'Cause, basically, when you look back at the drummers who were influential and who were around inspiring people, it was Mitch Mitchell, Ginger Baker, Keith Moon and me and Dino Danelli. All the other four guys, they played light. I played really loud with a lot of power and showmanship. And when John saw me live, he loved it, and he loved my big drums. So he asked me if I could help him get a Ludwig endorsement. "I mean, think about it — nobody knew him," Carmine explained. "It's hard to believe now. People say when I talk about it like I'm egoing out. I'm not really egoing out; I'm just telling the truth. Nobody knew John Bonham. And I called Ludwig and said, 'I think this guy's gonna be big. He wants a kit just like mine. It would be great if you give him an endorsement.' And on my word they did. And we sent them the first album, and on that they gave him an endorsement. He wasn't known yet. And then on the next tour, we did a lot of shows together, and he had the same exact drum set as me. And he was playing like me, he was doing the twirls like me, grabbing the cymbals like me. And he'd look at me when he did it, and we'd laugh. I'd give him a thumbs-up. We were friends. Me and [VANILLA FUDGE bassist] Tim [Bogert], on that tour, jammed with ZEPPELIN on one of the songs." Back in 2014, Carmine said that he would love to play with a reunited LED ZEPPELIN, claiming that he is a better fit to replace Bonham than John's son Jason. "Everybody in that band there is legendary… They're old school and legendary. Jason isn't legendary, and he's not old school," Appice explained to the "Totally Driven Radio" podcast. "He's John Bonham's son, but he don't play like John Bonham. He plays more… He plays like him. He's not John. He's got that name, but he's not John Bonham. I'm not John Bonham either, but I think my style might be close, 'cause I came first, and John listened to stuff I did and did it his own way. And we took 'em on their first tour. It's very close-sounding stuff in feel." Carmine previously said that Bonham took the bass drum triplets from the VANILLA FUDGE song "Ticket To Ride", telling Classic Rock Revisited in a 2006 interview: "When I first heard John Bonham do that triplet thing on the bass drum, I went up to him and said, 'John, that is amazing. I have to admit that I took that from you.' He looked at me and said, 'What are you talking about? I took that from you!' I replied, 'I don't do that. You couldn't have taken it from me.' He proceeded to tell me where I did actually do that on the first VANILLA FUDGE record and he was right. I only did it for a moment on that album and he took it and made something bigger and better out of it." Last year, VANILLA FUDGE released a remastered version of its cover of LED ZEPPELIN's "Immigrant Song" via Golden Robot Records.
Resurgence - MASSACRE
The legendary Floridian death metal band MASSACRE has returned from the beyond. The seminal act's roster, past and present, has included musicians from bands such as KREATOR, DEATH, OBITUARY, NASTY SAVAGE, SIX FEET UNDER, DOWN BY LAW and more. Remarkably, the sheer number of musicians involved has exceeded a couple dozen. In recent years, core, longtime members Rick Rozz and Terry Butler have departed, and in certain cases the splits have been acrimonious, to say the least. In any event, a couple of members involved with the band's classic era (vocalist Kam Lee and bassist Michael Borders) have brought in new blood (drummer Brynjar Helgetun and guitarists Scott Fairfax, Rogga Johansson and Jonny Pettersson) to release the band's fourth album, "Resurgence". While the album doesn't reach the high watermarks set by the unit's infamous debut, it certainly will scratch the itch of many who are yearning for an authentic taste of late eighties, early nineties death metal glory. Some would contend that the lineup behind "Resurgence" isn't representative of the "true" MASSACRE, and in fairness, the blade cuts both ways, as Borders mentioned via a press release, "Our loyal longtime fans will instantly get it. They will be, 'Cool, a real MASSACRE album — not a fake one.'" Bands change over time in countless ways, from sound and style all the way over to personnel, and the new members are not newcomers to the genre. The lineup very much constitutes a legitimate band that clearly has chemistry. "Resurgence" is head and shoulders above MASSACRE's second and third albums, 1996's "Promise" and 2014's "Back from Beyond". Lee and company have expressed their intentions for "Resurgence" to stand as the proper follow-up to "From Beyond". Similarly, the way that album's savage opener "Dawn of Eternity" starts with a teasing, epic intro, so too does "Resurgence" begin with a comparable intro and lead-in riff with "Eldritch Prophecy". MASSACRE strike a fine balance between raw, classic death metal and a version of metal that's more contemporary, augmented with touches of melody. This isn't a negative, however, "Resurgence" is a winner because it isn't a simple rehash. "Into The Far-Off Void" is another standout track, one that will invariably scratch the bellies of the old guard. It sounds like a song that fans wanted to hear on their nineties, sophomore effort, "Promise". "Return Of The Corpse Grinder" rounds out the album with what's more than an overt nod and wink to "Corpse Grinder" from "From Beyond", a dirty little ditty about grave desecration and necrophilia. It's a worthy, utterly savage and catchy "part two" to the classic song MASSACRE technically covered from DEATH's demo "Reign of Terror". For those unfamiliar, Kam Lee and guitarist Rick Rozz were two-thirds of DEATH's line-up on that 1984 demo. And yes, CANNIBAL CORPSE vocalist George "Corpsegrinder" Fisher's first band used that moniker before it became his nickname. Expecting a classic band to reach the stars in the same way that it once did is an unfair expectation, but it is an inevitable one. Sure, "Resurgence" isn't going to leave the indelible impression that "From Beyond" did. But there is no question that "Resurgence" is a fantastic, "true" death metal album that should satiate both elitists and newbies alike.